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"2000 Light Years From Home" is a song from The Rolling Stones' 1967 psychedelic rock album Their Satanic Majesties Request. Written by Mick Jagger and Keith Richards, it also appeared as the B-side to the U.S. single "She's a Rainbow". Jagger reportedly wrote the lyrics in Brixton prison following his conviction on drug charges in June 1967. The working title of the instrumental backing was "Toffee Apple". The prominent string part is played by Brian Jones on mellotron. The number was regularly featured during the Rolling Stones' 1989-90 Steel Wheels/Urban Jungle Tours; until 1997, when "She's a Rainbow" was also added to the band's stage repertoire, it was the only track from Satanic Majesties that the band had performed in concert. |
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| Duración: | 04:45 |
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Año: | 1967 | |
Formato: | 7" | |
A la venta: | 08/12/1967 | |
Lado B: | She's a rainbow (lado A) | |
Disquera: | Decca |
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Bill Wyman - bajo Keith Richards - guitarra acústica y coros Mick Jagger - voz principal, tamborín, congas y coros Nicky Hopkins - piano Brian Jones - melotrón |
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Original
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Traducción
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Sun turning 'round with graceful motion We're setting off with soft explosion Bound for a star with fiery oceans It's so very lonely, you're a hundred light years from home Freezing red deserts turn to dark Energy here in every part It's so very lonely, you're six hundred light years from home It's so very lonely, you're a thousand light years from home It's so very lonely, you're a thousand light years from home Bell flight fourteen you now can land Seen you on Aldebaran, safe on the green desert sand It's so very lonely, you're two thousand light years from home It's so very lonely, you're two thousand light years from home |
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Their Satanic Majesties Request is the sixth British and eighth American studio album by The Rolling Stones and was released on 8 December 1967 by Decca Records in the United Kingdom and the following day in the United States by London Records. Its title is a play on the "Her Britannic Majesty requests and requires..." text that appears inside a British passport. Richie Unterberger of Allmusic wrote: "Without a doubt, no Rolling Stones album — and, indeed, very few rock albums from any era — split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. Never before or since did the Stones take so many chances in the studio. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography." Begun just after Between the Buttons had been released, the recording of Their Satanic Majesties Request was long and sporadic, broken up by court appearances and jail terms. For the same reasons, the entire band was seldom present in the studio at one time. Further slowing productivity was the presence of the multiple guests that the band members had brought along. One of the more level-headed members of the band during this time, Bill Wyman, wary of psychedelic drugs, wrote the song "In Another Land" to parody the Stones' current goings on.[2] In a 2002 interview with Rolling Stone, Wyman described the situations in the studio. Every day at the studio it was a lottery as to who would turn up and what - if any - positive contribution they would make when they did. Keith would arrive with anything up to ten people, Brian with another half-a-dozen and it was the same for Mick. They were assorted girlfriends and friends. I hated it! Then again, so did Andrew (Oldham) and just gave up on it. There were times when I wish I could have done, too. Their producer and manager Andrew Loog Oldham, already fed up with the band's lack of focus, distanced himself from the band following their drug bust and finally quit, leaving them without a producer. As a result Their Satanic Majesties Request was the Stones' only self-produced album, which Mick Jagger admitted was not for the best. There's a lot of rubbish on Satanic Majesties. Just too much time on our hands, too many drugs, no producer to tell us, "Enough already, thank you very much, now can we get just get on with this song?" Anyone let loose in the studio will produce stuff like that. There was simply too much hanging around. It's like believing everything you do is great and not having any editing. The band experimented with many new instruments and sound effects during the sessions including the theremin, synthesizers, short wave radio static and string arrangements by John Paul Jones. In 1998, a bootleg box set of eight CDs with outtakes of the Satanic sessions was released on the market. The box set shows the band developing the songs over multiple takes, and striking is the cooperation between Brian Jones, Keith Richards and session pianist Nicky Hopkins. Richards is leading the sessions and most songs seem to be written by him, and both Hopkins and Jones indulge in creating elaborate soundscapes. The working title of the album was Cosmic Christmas. In the hidden coda titled "Cosmic Christmas" (following "Sing This All Together (See What Happens)"), Wyman tells "it's slowed-down: 'We wish you a merry Christmas, we wish you a merry Christmas, and a happy New Year!'" Some of the album's songs were also recorded under various working titles, some appearing rather non sequitur and radically different from the final titles. These working titles include: "Acid In The Grass" ("In Another Land"), "I Want People To Know" ("2000 Man"), "Flowers In Your Bonnet" ("She's A Rainbow"), "Fly My Kite" ("The Lantern"), "Tough Apple" (2000 Light Years From Home), and "Surprise Me" ("On With The Show"). |
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The Danse Society; Grave Digger; Monster Magnet; Rachael Yamagata; Colonel Les Claypool's Fearless Flying Frog Brigade; Cary Grace; Sky Cries Mary |
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