Mostrando entradas con la etiqueta -Ohio. Mostrar todas las entradas
Mostrando entradas con la etiqueta -Ohio. Mostrar todas las entradas

Green Tambourine - The Lemon Pippers


Rola: Green Tambourine
Traducción: Pandero verde
Intérprete: The Lemon Pippers
Compositor: Paul Leka, Shelly Pinz
Disco: Green Tambourine
Productor: Paul A. Rothchild

HISTORIA

"Green Tambourine" was the primary hit by the 1960s Ohio-based rock group The Lemon Pipers, as well as the title track to their debut-album Green Tambourine. The song has been credited as being the first bubblegum pop chart-topper. Released towards the end of 1967, it peaked at number one on the U.S. Billboard Hot 100 for one week at the start of February, 1968 and earned the group a gold record for over a million copies sold. The record remained on the chart for three months. It was also the first U.S. number-one hit for the Buddah label. The Lemon Pipers would never repeat this success, although "Rice Is Nice" and "Jelly Jungle" did make it onto the charts in 1968.

The song is the story of a street musician pleading for someone to give him money. In exchange, he would play his green tambourine. The song's instrumentation contains the title tambourine as well as an electric sitar, a frequent signature of the so-called "psychedelic sound". Another hook is the heavy, psychedelic tape echo applied to the word "play" in each chorus and at the end, fading into a drumroll ("Listen while I play play play play play play/my green tambourine"). The echo is noticeably different in the mono and stereo mixes. The mono version also starts fading out slightly earlier than in the stereo version.

The single's B-side, "No Help From Me", featured lead vocals by guitarist Bill Bartlett and did not appear on either of the group's two albums.


DATOS DE LA GRABACIÓN


Duración: 02:27
Año: 1968
Formato: 7"
A la venta: 01/12/1967
Lado B: No Help From Me
Disquera: Buddha Records


MÚSICOS

Bill Albaugh – drums
Bill Bartlett – lead guitar
Ivan Browne – rhythm guitar, lead vocals
R. G. Nave – organ, tambourine, fog horn, toys
Steve Walmsley – bass guitar


POPULARIDAD POR VENTAS (BILLBOARD - HIT PARADE)

Lugar en 'Listas de popularidad'
1


ESCUCHA LA ROLA



LETRA

Original
Traducción
Drop your silver in my tambourine
Help a poor man fill his pretty dream
Give me pennies I'll take anything
Now listen while I play
My green tambourine

Watch the jingle jangle start to chime
Reflections of the music that is mine
When you drop a coin you'll hear it sing
Now listen while I play
My green tambourine

Drop a dime before I walk away
Any song you want I'll gladly play
Money feeds my music machine
Now listen while I play
My green tambourine



EL L.P. QUE CONTIENE LA ROLA


LADO A
1. "Rice Is Nice"
2. "Shoeshine Boy"
3. "Turn Around Take a Look"
4. "Rainbow Tree"
5. "Ask Me If I Care"
6. "Straggling Behind"
7. "Green Tambourine"


LADO B
1. "Blueberry Blue"
2. "Shoemaker of Leatherwear Square"
3. "Fifty Year Void"
4. "Through With You"





Green Tambourine is the first album by the American band The Lemon Pipers. It was released in 1967 (see 1967 in music) after the band's bubblegum single of the same name had topped the charts in the US.

The album revealed the wide division between the musical tastes of the band and the commercial demands of the label, which hoped to replicate the success of the "Green Tambourine" hit single. It contained extended blues-inspired psychedelic tracks "Fifty Year Void" and "Through With You" (the latter, running to more than nine minutes, written by guitarist Bill Bartlett and bearing influences of The Byrds) as well as five bubblegum tracks written by New York songwriting team Paul Leka and Shelley Pinz.

Liner notes on the album, written by Buddah Records label boss Neil Bogart, described the band as "five very intelligent young men with a solid sound and a real interest in all kinds of music. They perform folk ballads, soul, psychedelic, blues, country and western and write much of their own material."

INTÉRPRETE

The Lemon Pippers: Ohio

The Lemon Pipers were a 1960s psychedelic pop band from Oxford, Ohio,[1] known chiefly for their song "Green Tambourine", which reached No. 1 in the United States in 1968. The song has been credited as being the first bubblegum pop chart-topper.[1] Credited or not, the song appealed to the hippy movement of the time, to which bubblegum music was anathema. The Lemon Pipers comprised singer Dale "Ivan" Browne (born 1947), guitarist William Bartlett (born 1946, South Harrow, Middlesex, England), keyboardist Robert G. "Reg" Nave (born 1945), drummer William E. Albaugh (1948–1999), guitarist Ron Simkins (born 1948) and bassist Steve Walmsley (born 1949, New Zealand) who replaced the original bass guitarist Ron "Dude" Dudek.

The band was formed in 1966 by student musicians from Oxford, Ohio, who had played the college bars with their previous groups that included The Wombats (Nave), Ivan and the Sabres (Browne) and Tony and the Bandits (Bartlett and Dudek). The band played a mixture of blues, hard rock and folk rock, covering a few Byrds and The Who tracks. They gigged regularly in an Oxford bar called The Boar's Head, and Cincinnati underground rock venues, The Mug Club and later The Ludlow Garage, and released a single on the Carol Records label, "Quiet Please". The original band existed as a quartet, and then gained notoriety by reaching the finals in the Ohio Battle of the Bands at the Cleveland Public Auditorium in 1967, losing out to the James Gang.

The band then recruited Browne, a Miami University student as frontman, and engaged the Ohio music industry impresario, Mark Barger, who steered the Lemon Pipers to Buddah Records, then run by Neil Bogart. The Lemon Pipers, relying in part on advice from Barger, agreed to enter into a recording contract and music publishing deal with Buddah. The group began playing larger auditorium and concert hall venues around the US, including an appearance at Fillmore West in San Francisco, California. Buddah's plans for the group centred around bubblegum pop rather than rock, and the Lemon Pipers joined a stable already containing Ohio Express, and the 1910 Fruitgum Company. Paul Leka was assigned to be their record producer.

Buddah did not know how to handle the band at first and the group's debut on Buddah was a Bartlett composition, "Turn Around and Take a Look". When the song failed to make the charts, the label asked Leka and his songwriting partner, Shelley Pinz, who were working out of a Brill Building office on Broadway, to come up with a song. The pair wrote "Green Tambourine" and the band reluctantly recorded it. The song entered the Billboard Hot 100 at the end of 1967 and reached No. 1 in February 1968. The song peaked at No. 7 in the UK Singles Chart, and was also a hit worldwide. It sold over two million copies, and was awarded a gold disc by the Recording Industry Association of America (R.I.A.A.) in February 1968.

The success of "Green Tambourine" caused the label to put pressure on the group to stay in the bubblegum genre, and in March 1968 the band released another Leka/Pinz song, "Rice Is Nice", which peaked at No. 46 in the US and No. 41 in the UK in May. The band had little enthusiasm for either song, however, dubbing them "funny-money music" and recording them only because they knew they would be dropped by Buddah if they refused. "Ordinary Point of View", written by Eric Ehrmann and featuring a Bartlett country solo, was recorded, but rejected by Buddah. Disenchanted with Buddah and the music industry, Ehrmann stopped writing songs and went on to become one of the early contributors to Rolling Stone magazine. As is common with the music associated with the 1960s, a few copyright and royalties issues connected with the current owners of the Kama Sutra music publishing catalog and Lemon Pipers songs remain unresolved.

The Lemon Pipers evolution from 1960s rock music into a gold record bubblegum band created what Nave has described as "the duality of the Lemon Pipers": "We were a stand-up rock 'n' roll band, and then all of a sudden, we're in a studio, being told how to play and what to play."

The chasm between the label’s aspirations and the band’s own musical tastes became apparent on the Lemon Pipers’ debut album, Green Tambourine. Produced by Leka, the album contained five Leka/Pinz songs, as well as two extended tracks written by the band, "Fifty Year Void" and "Through With You" (the latter, written by Bartlett, bearing influences of The Byrds and, according to the original LP label, running 8:31 in length). "Ask Me If I Care" written by Ehrmann, was also featured. Like the Lemon Pipers members, Nave and Albaugh, Ehrmann was a member of the Kappa chapter of Delta Kappa Epsilon fraternity. Writing in Bubblegum is the Naked Truth, Gary Pig Gold commented: "It was the Pipers’ way with a tough-pop gem in the under-four-minute category which was most impressive by far: "Rainbow Tree", "Shoeshine Boy" and especially "Blueberry Blue" each sported a taut, musical sophistication worthy of The Move and, dare I say it, even the Magical Mystery Beatles."

The band recorded a second album for Buddah, Jungle Marmalade, which again showed both sides of the band – another Leka/Pinz bubblegum song, "Jelly Jungle", (released as a single and peaking at No. 51 in the US), a version of the Carole King/Gerry Goffin penned song "I Was Not Born to Follow," and an 11 minute, 43 second epic, "Dead End Street"/"Half Light".

OTRAS VERSIONES

Sun King; Mrs. Miller; Status Quo; Lawrence Welk; Tripping Daisy


Crimson And Clover - Tommy James & The Shondells


Rola: Crimson And Clover
Traducción: Carmesí y trébol
En México: Trébol y carmesí
Intérprete: Tommy James & The Shondells
Compositor: Tommy James, Peter Lucia
Disco: Crimson & Clover
Productor: Tommy James & The Shondells

HISTORIA

Crimson and Clover es una canción de Tommy James and the Shondells, escrita por Tommy James y Peter Lucia. Fue uno de los grandes éxitos de los sesenta y alcanzó el número uno en el Billboard Hot 100 de Estados Unidos en 1969. Es también una de las canciones símbolo del llamado "pop-rock psicodélico".

Está incluida en el álbum del mismo título (1968), un éxito en sí mismo, que alcanzó el puesto número ocho en las listas pop.

Esta canción es famosa por el efecto vocal único que aparece hacia el final de la misma, para el que Tommy James enchufó su micrófono a un amplificador de la guitarra, activó el efecto de trémolo o sucesión rápida de notas, y cantó repetidamente "Crimson and Clover, over and over", creando un efecto tembloroso en su voz. Cuando se puso a la venta en diciembre del 68, muchos de los que escucharon la canción creían que decía "Christmas is over" en lugar de "Crimson and Clover".

Hay dos versiones de esta canción: la del álbum, con un solo de guitarra que dura más de cinco minutos, y la del single, en la que el solo de guitarra está cortado y dura menos de tres minutos y medio.

Following the release of "Mony Mony", Tommy James wanted to change direction of the group's sound, and began producing his own material. At the time, James said this was out of "necessity and ambition", wanting to move from singles into albums. He departed from the group's principal songwriters Bo Gentry and Ritchie Cordell, and was given complete artistic control by Roulette Records. The title, "Crimson and Clover", was decided before a song had been written for it. The combination of unknown meaning came to James as he was waking up, comprising his favorite color - crimson - and his favorite flower - clover. A song to fit the phrase was written by Tommy James and bassist Mike Vale, but was scrapped. His following collaboration with drummer Peter Lucia Jr. Was more successful. During the song's production, Roulette Records wanted a new single, so the group agreed to release "Do Something To Me" to gain time to complete the song.

"Crimson and Clover" was recorded in late 1968 for about 5 hours. Tommy James played most of the instruments, while Mike Vale played bass and Peter Lucia Jr. Played drums. The song contains a tremolo effect on the guitar, set so that it vibrated in time with the song's rhythm. Near the end of the recording, the band had an idea of utilizing the tremolo effect with vocals. To achieve this, the voice microphone was plugged into an Ampeg guitar amplifier with tremolo turned on, and the output from the amplifier was recorded while James sang "Crimson and clover, over and over".

Tommy James made a rough mix of "Crimson and Clover" to show to Roulette Records executive Morris Levy for evaluation. The band were still intending to improve on the mix with ambient sound and echo. A few days later, James stopped at WLS radio station - who he had previously had positive experience with - to get their reaction. After an interview discussing the single, he was convinced to play the rough mix for WLS off-air. Unbeknown to James, the station recorded the song, and they shortly played it on-air in November 1968 as a "world exclusive".

Morris Levy initially pleaded WLS not to play the record prematurely before its release, but listener response changed his mind. Roulette Records produced a specially-pressed single and shipped it to listeners who called about the song. 800 copies of the song were also sent to WLS for promotional purposes. Levy refused to let James produce the final mix he wanted, and the single was released using the rough mix, with "Some Kind of Love" as its B-Side.

Based on suggestions from radio stations, Tommy James and The Shondells chose to create a longer version of "Crimson and Clover" for their album. Since the song was initially recorded in single format, they had the choice of either re-recording it or expanding it. Opting to expand the song, the first two verses were copied without background vocals and overdubbed with guitar solos by Shondells guitarist Ed Gray using steel guitars and fuzz guitars. Due to issues with the speed of the single version and the master, this resulted in a slight drop in pitch during the solos, which went unfixed.[9][10] The album, also titled "Crimson and Clover", was released in January 1969 and reached a peak of #8 on the Billboard Hot 100.


DATOS DE LA GRABACIÓN


Duración: 05:33
Año: 1968
Formato: 7"
A la venta: 01/11/1968
Lado B: Some Kind of Love
Disquera: Roulette


MÚSICOS

Tommy James - voz guitarra y piano
Eddie Gray - guitarra
Ron Rosman - pianos eléctricos y acústicos, órgano Hammond y clavecín
Mike Vale - bajo
Peter Lucia - batería y percusiones


POPULARIDAD POR VENTAS (BILLBOARD - HIT PARADE)

Lugar en 'Listas de popularidad'
1
Fecha
01/02/1969


ESCUCHA LA ROLA

Versión corta


LETRA

Original
Traducción
Now, i don't hardly know her,
But, think I could love her
Crimson and Clover.

I wish she'd come walking over
I'm waiting to show her,
Crimson and Clover
Over and over

Yes, my, my, such a sweet thing,
I wanna do everything,
What a beautiful feeling.
Crimson and Clover
Over and over

Ahora, yo no la conozco duramente
pero pienso que podría amarla
Carmesí y trébol

desearía que ella viniera caminando por aquí
la estoy esperando para enseñarle
Carmesí y trébol
siempre y por siempre

Sí, mi, mi, como una cosa dulce
quiero hacer todo
que hermoso sentimiento
Carmesí y trébol
siempre y por siempre


EL L.P. QUE CONTIENE LA ROLA


LADO A
1. "Crimson and Clover"
2. "Kathleen McArthur"
3. "I'm a Tangerine"
4. "Do Something to Me"



LADO B
1. "Crystal Blue Persuasion"
2. "Sugar on Sunday"
3. "Breakaway"
4. "Smokey Roads"
5. "I'm Alive"


Crimson and Clover puede ser considerada como la quintaescencia de la obra de Tommy James and the Shondells y, sin duda, fue el mejor L.P. de su carrera. Por muchas razones, fue el pivote sobre el cual giró su momento creativo. Escrito, producido y grabado completamente por Tommy y el grupo, le permitió a la banda expander su audiencia de los hits pops a la nueva cultura musical de los álbumes de rock, siendo uno de los pocos grupos que lo lograron.

El single Crimson and Clover vendió arriba de los cinco y medio millones de copias en sólo ocho semanas y fue su mayor éxito en ventas. El álbum contiene otras tres rolas que vendieron por encima del millón de copias como sencillos, Do Somethin’ To Me, la etérea Crystal Blue Persuasion y Sugar On Sunday grabada por el grupo The Clique.

Como dato curioso, durante la campaña presidencial de 1968 en los Estados Unidos, Tommy James and the Shondells recorrieron el país acompañando al vicepresidente Hubert H. Humphery quien, en una expression de su aprecio por la banda, escribió las notas incluídas en el album Crimson and Clover

INTÉRPRETE

Tommy James & The Shondells: Ohio

Tommy James and the Shondells se formó inicialmente bajo el nombre de Tom and the Tornadoes con un cantante de entonces 12 años de edad llamado Tommy James. En 1963 Tommy decidió renombrar al grupo como los Shondells a partir del apellido de uno de sus ídolos, el guitarrista Troy Shondell. Ese mismo año grabaron el tema original de Jeff Barry y Ellie Greenwich llamado "Hanky Panky" (originalmente grabada por el grupo The Raindrops). La versión de Tommy se vendió de manera aceptable en Míchigan, Indiana e Illinois pero el sello Snap Records para el cual habían grabado no tenía distribución por lo que el sencillo no logró figurar en listas y los Shondells se desintegraron.

Dos años después una radiodifusora de Pittsburg retomó el olvidado tema y lo presentó como un estreno "exclusivo". La respuesta de los radioescuchas animó a la estación para reproducirla regularmente. Un disc jockey de Pittsburg llevo una copia por distintos bailes y la demanda por el disco se elevó. Los contrabandistas respondieron imprimiendo 80,000 copias ilegales del sencillo para ofrecerlas en el mercado negro, las cuales fueron vendidas en tiendas de Pennsylvania. James supo de todo ello después de recibir una llamada telefónica en diciembre de 1965 de "Mad Mike Metro" un conocido disc jockey quien lo invitó a interpretar la canción. James recontactó a sus compañeros pero todos ellos habían cambiado sus ambiciones musicales por otras actividades por lo que ninguno quiso viajar a Pittsburg.

En 1966, James se presentó solo e hizo actuaciones promocionales en las radiodifusoras de Pittsburg, en clubes nocturnos y en las televisoras locales. "No tenía grupo y tenía que formar uno rápido" recuerda James, "Cierta noche me encontraba en un club nocturno y caminé hacia un grupo que se encontraba tocando ahí muy bien y les pregunté si querían ser los Shondells. Ellos dijeron que si y llegamos lejos".

Al lado de Vale, Rosman, Kessler, Pietropaoli, y Magura como sus nuevos Shondells, James tenía ahora un grupo con el cual efectuar giras para promover el sencillo. Posteriormente James se dirigió a Nueva York y vendió la cinta maestra de "Hanky Panky" a Roulette Records con una gran promoción detrás de él. El éxito vino a ser número uno nacional en junio de 1966. Para ese entonces Kessler, Pietropaoli y Magura fueron reemplazados por Gray y Lucía.

Inicialmente, Tommy James y sus Shondells interpretaban un tipo de rock and roll caótico, pero muy pronto se vieron ligados al movimiento de la música pop chicle. el compositor Ritchie Cordell les dio su cuarto éxito: "I Think We're Alone Now" y lograron la posición número 10 con el tema "Mirage" (espejismo) en 1967. Para 1968, los integrantes del grupo se probaban como compositores con James y Lucía al escribir el tema psicodélico clásico "Crimson and Clover". La canción fue grabada y mezclada en su totalidad por Bruce Staple, con James haciendo uso de su talento en la voz y recurriendo al entonces inusual uso de recursos electrónicos como vocoders y phasers.

Otros éxitos fueron: "Crystal blue persuasion", "Sweet Cherry Wine", y "Mony Mony"(1968), éste último escrito por la dupla James-Vale quienes presuntamente se inspiraron en un letrero luminoso en el edificio de la Mutual Of New York (recientemente reemplazado por el número 1740) el cual se veía desde la ventana de su apartamento. También produjeron "Sugar on Sunday" reinterpretada posteriormente por The Clique.

En 1968 el grupo efectuó una gira al lado del Vicepresidente Hubert Humphrey durante su campaña presidencial. Humphrey expresó su aprecio al escribir los comentarios en la contraportada del álbum "Trébol y carmesí".

OTRAS VERSIONES

Joan Jett; 2Young; Cher y su hijo Elijah Blue Allman; Simon and Garfunkel; Dolly Parton